{"id":3455,"date":"2020-04-22T17:11:32","date_gmt":"2020-04-22T15:11:32","guid":{"rendered":"https:\/\/ensemble-cantissimo.ch\/?page_id=3455"},"modified":"2020-04-22T18:20:00","modified_gmt":"2020-04-22T16:20:00","slug":"yale2018","status":"publish","type":"page","link":"https:\/\/ensemble-cantissimo.ch\/en\/digital-experience\/yale2018\/","title":{"rendered":"Opening Gala Concert Yale International Choral Festival 2018"},"content":{"rendered":"

[vc_row content_width=”full-desktop” bg_overlay_mode=”color” el_id=”1994″][vc_column width=”5\/6″ offset=”vc_col-sm-offset-1″][gsf_space desktop=”45″ tablet=”35″ tablet_portrait=”30″ mobile_landscape=”25″ mobile=”20″][gsf_heading layout_style=”style-3″ title=”T3BlbmluZyUyMEdhbGElMjBDb25jZXJ0JTIwWWFsZSUyMEludGVybmF0aW9uYWwlMjBDaG9yYWwlMjBGZXN0aXZhbCUyMDIwMTg=” title_color=”#333333″ title_font_size=”34||30|28|28″ sub_title_font_size=”25|20|18|18|18″ sub_title_letter_spacing=”3|px” css_animation=”top-to-bottom” animation_duration=”2″ sub_title=”digital experience”][gsf_space desktop=”90″ tablet=”70″ tablet_portrait=”60″ mobile_landscape=”50″ mobile=”40″][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”left-to-right” el_id=”brahms”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”2″ animation_delay=”1″ sub_title=”Johannes Brahms”][gsf_heading layout_style=”style-3″ text_align=”text-left justify-content-start” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”2″ animation_delay=”1″ sub_title=”(1833-1897)”][\/vc_column_inner][vc_column_inner width=”3\/4″][gsf_heading layout_style=”style-5″ text_align=”text-left justify-content-start” title=”VmllciUyMFppZ2V1bmVybGllZGVyJTIwb3AuJTIwMTEyYiUyMGZvciUyMGNob2lyJTIwYW5kJTIwcGlhbm8=” title_color=”#333333″ title_font_size=”22|20|18|18|18″ title_line_height=”1.5|em” css_animation=”right-to-left” animation_duration=”2″ animation_delay=”1.5″][gsf_space desktop=”11″ tablet=”8″ tablet_portrait=”7″ mobile_landscape=”6″ mobile=”5″][vc_column_text css_animation=”right-to-left” animation_duration=”2″ animation_delay=”1.5″]on Hungarian Folksongs (Leipzig 1891)<\/span><\/p>\n

No. 1 Himmel strahlt so helle und klar
\nNo. 2 Rote Rosenknospen
\nNo. 3 Brennessel steht an Wegesrand
\nNo. 4 Liebe Schwalbe, kleine Schwalbe[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][vc_column_text css_animation=”right-to-left” animation_duration=”2″ animation_delay=”1.5″]The Zigeunerlieder or Gypsy Songs of Johannes Brahms are well-known among choral music enthusiasts; they are some of Brahms\u2019 most performed works for vocal ensembles. The texts are an adaptation of Hungarian folk songs and Brahms set the texts in a with clear harmonic and melodic references to this musical style. It is important to note that Hungarian folk music was often called \u2018gypsy music\u2019 in the 19th century. In total, there are fifteen Gypsy songs, in two sets of 11 and 4.<\/em>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”2″ animation_delay=”2″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587369170451{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/01_Brahms.png?id=3289) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=ZmFAp4xUIwY” icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” el_id=”Hindemith”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”Paul Hindemith”][gsf_heading layout_style=”style-3″ text_align=”text-left justify-content-start” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”(1895-1963)”][\/vc_column_inner][vc_column_inner width=”3\/4″][gsf_heading layout_style=”style-5″ text_align=”text-left justify-content-start” title=”U2l4JTIwY2hhbnNvbnMlMjAlMjhTd2l0emVybGFuZCUyMFZhbGFpcyUyMDE5MzklMjk=” title_color=”#333333″ title_font_size=”22|20|18|18|18″ title_line_height=”1.5|em” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][gsf_space desktop=”11″ tablet=”8″ tablet_portrait=”7″ mobile_landscape=”6″ mobile=”5″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]on poems by Rainer Maria Rilke<\/p>\n

La Biche \u2013 Un cygne \u2013 Puisque tout passe \u2013\u00a0Printemps \u2013 En hiver \u2013 Verger[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]Paul Hindemith a German composer, conductor and pedagogue, was born at the tail end of the 19th century. The National Socialist regime described its music as “degenerate art”, although shortly before he was praised as an ideal modern German composer. By 1938 though, he and his wife (who was of Jewish origin) left Nazi Germany for Switzerland.
\nIn 1940, Hindemith moved to New Haven (USA) and became a professor at Yale University, where he taught for thirteen years. The original manuscript for his Six Chansons can be found in Yale\u2019s library.
\nIn 1953, Hindemith returned to Europe and became a professor in Zurich, Switzerland.
\nHe composed the Six Chansons as a tribute to French music. They describe the ambivalence of the natural world: the beauty of the seasons, the excesses of nature, and nature as a place of refuge, but also its symbolism for death and impermanence.<\/em>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587369795260{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/02_Hindemith.png?id=3305) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=JMfPw45GiX4″ icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” el_id=”Melln\u00e4s”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”Arne Melln\u00e4s”][gsf_heading layout_style=”style-3″ text_align=”text-left justify-content-start” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”(1933-2002)”][\/vc_column_inner][vc_column_inner width=”3\/4″][gsf_heading layout_style=”style-5″ text_align=”text-left justify-content-start” title=”U3dlZXQlMjBTcHJpbmclMjAlMjhTdG9ja2hvbG0lMjAyMDAyJTI5″ title_color=”#333333″ title_font_size=”22|20|18|18|18″ title_line_height=”1.5|em” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][gsf_space desktop=”11″ tablet=”8″ tablet_portrait=”7″ mobile_landscape=”6″ mobile=”5″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]No. 1 Spring*
\nNo. 2 Elegiac Sonet
\nNo. 3 O the sun<\/p>\n

*Soloists: Iris-Anna Deckert, Sisu Lustig, Philipp Classen, Malte Fial<\/em><\/small>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]Arne Melln\u00e4s was a Swedish composer and pedagogue. He studied under Gy\u00f6rgy Ligeti and worked together with minimalist composer Steve Reich. Melln\u00e4s made significant contributions to developments in avantgarde music, with a special interest in electronic music. In Sweet Spring, he creates a microcosm of exciting sounds and vocal possibilities, including with the imitation of birdsong.
\nMelln\u00e4s set texts from three separate poets for the three movements of his work from vastly different eras. Thomas Nashe (I. Spring) lived in the second half of the 16th century; he was a contemporary of Shakespeare. Charlotte Smith lived 200 years later and wrote her \u201cElegiac Sonnets\u201c from an English debtors\u2019 prison. e. e. cummings was an American poet and lived from 1894 to 1962, about 150 years after Smith. Melln\u00e4s embraces the various styles of poetry, yet weaves the three pieces together into one cohesive work.
\n<\/em>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587369859702{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/03_melln\u00e4s.png?id=3307) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=zvtU9iyXHOs” icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” el_id=”Isaac”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”Heinrich Isaac”][gsf_heading layout_style=”style-3″ text_align=”text-left justify-content-start” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”(1450-1517)”][\/vc_column_inner][vc_column_inner width=”3\/4″][gsf_heading layout_style=”style-5″ text_align=”text-left justify-content-start” title=”RnJvbSUyMCVFMiU4MCU5Q0Nob3JhbGlzJTIwQ29uc3RhbnRpbnVzJUUyJTgwJTlEJTIwJTI4S29uc3RhbnolMjAxNTA4JTI5JTIwLSUyMFVTJTIwUHJlbWllcmU=” title_color=”#333333″ title_font_size=”22|20|18|18|18″ title_line_height=”1.5|em” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][gsf_space desktop=”11″ tablet=”8″ tablet_portrait=”7″ mobile_landscape=”6″ mobile=”5″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]for the Feast of Saint Conrad
\nIntroitus: \u201cSacerdotes tui Domine\u201d<\/p>\n

Soloist gregorian chant: Claudia B\u00f6hme<\/i><\/small>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]The Renaissance experienced its first heyday in the \u201cChoralis Constantinus\u201d collection. Commissioned by Heinrich Isaac in 1508 from the Constance cathedral chapter, it contains motets for every Sunday of the church year and its scope can be compared to Bach’s cantata work. The American Isaac expert Dr. James Feiszli published as a new edition of the Office of the Holy Conrad of Constance especially for the Yale concert of the ensemble cantissimo.
\n<\/em>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587369909754{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/04_Isaac.png?id=3309) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=MX41ArN-1FA” icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” el_id=”webern”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”Anton Webern”][gsf_heading layout_style=”style-3″ text_align=”text-left justify-content-start” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”(1883-1945)”][\/vc_column_inner][vc_column_inner width=”3\/4″][gsf_heading layout_style=”style-5″ text_align=”text-left justify-content-start” title=”RW50ZmxpZWh0JTIwYXVmJTIwbGVpY2h0ZW4lMjBLJUMzJUE0aG5lbiUyMG9wLiUyMDIlMjAlMjhWaWVubmElMjAxOTA4JTI5″ title_color=”#333333″ title_font_size=”22|20|18|18|18″ title_line_height=”1.5|em” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]Anton Webern was an important source of inspiration for the new music of the 20th century. His only a cappella composition “Escape on Light Boates” op. 2 was written in Vienna in 1908, It can be interpreted metaphorically as a farewell to tonality and is in a strictly canonical sentence. A clear reference to the role model Isaac, about whom Webern wrote his dissertation and published the entire Choralis Chonstantinus collection.
\n<\/em>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587369954384{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/05_Webern.png?id=3311) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=tEiZsj_EFzQ” icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” el_id=”Herzogenberg”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”Heinrich von Herzogenberg”][gsf_heading layout_style=”style-3″ text_align=”text-left justify-content-start” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”(1843-1900)”][\/vc_column_inner][vc_column_inner width=”3\/4″][gsf_heading layout_style=”style-5″ text_align=”text-left justify-content-start” title=”RHJlaSUyMEdlcyVDMyVBNG5nZSUyMGZvciUyMGNob2lyJTIwYW5kJTIwcGlhbm8=” title_color=”#333333″ title_font_size=”22|20|18|18|18″ title_line_height=”1.5|em” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][gsf_space desktop=”11″ tablet=”8″ tablet_portrait=”7″ mobile_landscape=”6″ mobile=”5″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]on poems by Friedrich Hebbel mit Klavier op. 73 (Leipzig 1891)
\nNo. 1 Nachtlied<\/p>\n

Soloist: Alexandra Busch, Alt<\/em><\/small>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][vc_column_text css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″]Heinrich von Herzogenberg was a co-founder of the Bach Association in Leipzig and is one of the composers in the circle of friends around Johannes Brahms who, unlike during their lifetime, are little known today. From 2010 to 2013, the ensemble cantissimo recorded three CD’s with its choral works for Carus-Verlag Stuttgart. Herzogenberg celebrated his 175th birthday in 2018 and his “Three Songs” based on beautiful Hebbel poems thematize the night, nature and in the last piece “Sea Lights” the famous ascent of the goddess Aphrodite from the sea floods.
\n<\/em>[\/vc_column_text][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587370001680{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/06_Herzogenberg.png?id=3313) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=dpD_6In61ig” icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css_animation=”right-to-left” animation_duration=”1″ animation_delay=”0″ el_id=”awards”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][vc_row_inner content_placement=”top”][vc_column_inner width=”1\/4″ offset=”vc_col-lg-offset-0 vc_col-md-offset-0″][gsf_heading layout_style=”style-4″ text_align=”text-left justify-content-start” space_between=”0|px” title_color=”#333333″ title_font_size=”20|16|14|12|10″ css_animation=”left-to-right” animation_duration=”1″ animation_delay=”0″ sub_title=”Presentation of Awards”][\/vc_column_inner][vc_column_inner width=”3\/4″ css=”.vc_custom_1587370246880{background-image: url(https:\/\/ensemble-cantissimo.ch\/wp-content\/uploads\/2020\/04\/07_awards.png?id=3315) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][gsf_video video_style=”fill” video_size=”medium” link=”https:\/\/www.youtube.com\/watch?v=l8BEE2to8UE” icon_color=”#ffffff” icon_bg_hover_color=”#ffffff” icon_hover_color=”#e4573d”][gsf_space desktop=”200″ tablet=”130″ tablet_portrait=”80″ mobile_landscape=”80″ mobile=”80″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][gsf_space desktop=”35″ tablet=”30″ tablet_portrait=”25″ mobile_landscape=”22″ mobile=”20″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row content_width=”full-desktop” content_placement=”top” css=”.vc_custom_1587289316095{background-color: #f4f3ec !important;}”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1″][gsf_space desktop=”45″ tablet=”35″ tablet_portrait=”30″ mobile_landscape=”25″ mobile=”20″][gsf_heading title=”UGVyZm9ybWluZyUyMG11c2ljaWFucw==” title_color=”#333333″ title_font_size=”22|20|18|18|18″ css_animation=”bottom-to-top”][gsf_space desktop=”45″ tablet=”35″ tablet_portrait=”30″ mobile_landscape=”25″ mobile=”20″][vc_column_text css_animation=”bottom-to-top”]<\/p>\n

Rahel Sohn, piano<\/p>\n

[\/vc_column_text][gsf_space desktop=”45″ tablet=”35″ tablet_portrait=”30″ mobile_landscape=”25″ mobile=”20″][gsf_heading layout_style=”style-4″ space_between=”0|px” sub_title_letter_spacing=”3|px” css_animation=”bottom-to-top” sub_title=”ensemble cantissimo”][gsf_space desktop=”20″ tablet=”18″ tablet_portrait=”15″ mobile_landscape=”12″ mobile=”10″][vc_column_text css_animation=”bottom-to-top”]<\/p>\n

Soprano
\n<\/strong>Iris-Anna Deckert, Claudia B\u00f6hme, Jin Kim, Anja Bittner, Leonie Zehle, Margot Roller<\/span>
\n<\/strong><\/p>\n

Alto<\/strong>
\nHana Katsenes, Rebecca Heudorfer, Sisu Lustig, Alexandra Busch, Ursula Ebner, Gudrun K\u00f6llner<\/span><\/span><\/p>\n

Tenor<\/strong>
\nBerthold Schindler, Hannes Wagner, Philipp Cla\u00dfen, Christoph Cla\u00dfen, Akeo Hasegawa<\/span><\/p>\n

Bass<\/strong>
\nMatthias Begemann, Andreas Meixner, Malte Fial, Friedemann Luz, Jakob Steiner, Werner Matusch<\/span><\/span><\/p>\n

[\/vc_column_text][gsf_space desktop=”45″ tablet=”35″ tablet_portrait=”30″ mobile_landscape=”25″ mobile=”20″][gsf_heading layout_style=”style-4″ space_between=”0|px” sub_title_letter_spacing=”3|px” css_animation=”bottom-to-top” sub_title=”Conductor”][gsf_space desktop=”20″ tablet=”18″ tablet_portrait=”15″ mobile_landscape=”12″ mobile=”10″][vc_column_text css_animation=”bottom-to-top”]<\/p>\n

Markus Utz<\/p>\n

[\/vc_column_text][gsf_space desktop=”45″ tablet=”35″ tablet_portrait=”30″ mobile_landscape=”25″ mobile=”20″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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